
I Got There. Why Am I Not Happy?
A passage from Schopenhauer on wanting something from a distance, then finding it insufficient once it is ours.

A passage from Schopenhauer on wanting something from a distance, then finding it insufficient once it is ours.

A passage from On Liberty on leaving a commitment, and what we owe to people who have relied on it.

A passage from The Theory of Moral Sentiments on another person's grief and anger, and the limits of imagining ourselves in their place.

The opening of Nathaniel Hawthorne’s “Wakefield”: a man leaves his wife but spends twenty years living in the next street.

From “The Carter and the Carpenter” in Jack London’s The People of the Abyss: two sleepless men look for somewhere to spend the night.

A selection from Robert Louis Stevenson’s “The Bottle Imp”: a bottle grants wishes, but its owner must sell it at a loss before dying.

The butterfly’s unveiling in Hawthorne’s “The Artist of the Beautiful”: Owen shows his friends the result of years of work.

A story by Stephen Leacock: a guest wants to leave, his hosts ask him to stay, and each goodbye becomes harder.

A comic essay by A. G. Gardiner: conscience finds room for somebody else's umbrella and the book we never returned.

A story by Stephen Leacock: opening a simple account becomes a succession of attempts to look composed, each worse than the last.

A map so exact that there is nowhere to unfold it: a conversation from Lewis Carroll’s Sylvie and Bruno Concluded.

Babbage imagines the air as a library of past speech: a passage from his scientific and theological speculation of 1838.

Portraits at different ages as sections of a four-dimensional being: the Time Traveller’s explanation in H. G. Wells’s novel.

The name is forgotten, yet another name will not fit: William James on an active gap in consciousness.

A hall shaped like the world, with people solving equations instead of playing instruments: Lewis Fry Richardson’s scientific fantasy of 1922.

A house, nightfall and a landscape recognized through smell: three paragraphs from Helen Keller’s lived world.

Eyes scattered across shell plates: a historical account of chiton eyes in The Cambridge Natural History, 1895.

Two sailors weave a mat; warp, woof and the stroke of a hand become necessity, free will and chance. A passage from Moby-Dick.

In a teacup’s blue figures, distance cannot shrink people and one step can cross a river: the opening of Charles Lamb’s “Old China.”

Grief for events that did not happen to us, the memory of a love we never had: Gilbert speaks in Oscar Wilde’s “The Critic as Artist.”

Lafcadio Hearn on an insect-seller’s stall, and an art of listening a passing traveller might mistake for a toy.

Darwin follows the nectar at the bottom of a flower to the proboscis of a moth he has not seen: a passage from his orchid book.

From a tree-top, the forest becomes a sea of motion and light for John Muir: a passage from The Mountains of California.

A passage from Thomas Browne: bodies preserved for eternity, only to become merchandise.

A passage from John Ruskin on the difference between a merely disgusting creature and a monster that seems alive.

Thomas De Quincey’s black satire: an imaginary society’s lecture demands composition, light and shade from murder.

A selection from the discussion of Glad to Be Sad: where does enjoyment of unpleasant experiences stop?

Wardle and colleagues on illusory faces in objects: how can the same image remain both a face and an object?

Petkova and Ehrsson on the body-swapping illusion: what makes a body feel like our own?

Darwin on earthworms: from plugging their burrows to the soil passing through their bodies.

John Tyndall describes an experiment in which clearing the air makes a luminous beam’s path go dark.

A passage from Faraday’s The Chemical History of a Candle: how the particles that blacken a ceiling give a flame its brilliance.

A passage from Samuel Butler’s Erewhon: a satirical argument about mechanical reproduction and the humans who make it possible.

A passage from Stevenson’s Child’s Play: a story that needs a body, a chair and the things in a room to happen.

A passage from D’Arcy Thompson’s On Growth and Form: why changing size changes the rules for bodies and bridges.

A passage from Chesterton: why is running a pleasure in a game, but an embarrassment when the wind takes a hat?

A passage from Oscar Wilde's dialogue The Decay of Lying, turning the idea that painting imitates nature on its head.

The opening of Hazlitt's On the Pleasure of Hating: a spared spider and the hostility that survives restraint.

A passage from Women and Economics, on the difference between useful work, wages and economic independence.

A passage from Gifts, on giving, receiving and the dependence that can accompany them.

A passage from On Noise, on concentration and the sound that makes thinking harder before we even notice it.

The complete text of Before the Law, about a gatekeeper and a man waiting for permission to enter.

A passage from The Metropolis and Mental Life, on the distance required by life among a multitude of people.

A passage from On Liberty, on helping another person while leaving the final decision with them.

On the cost of leaving a life we have built, from money and work to relationships and attachment to place.

A passage from An Apology for Idlers, on a life that has little left to enjoy outside work.

A passage from The Theory of Moral Sentiments, on the models we follow in seeking respect and admiration.

A passage from the seventh of the Letters to a Young Poet, on solitude and learning to love.

A passage from The Principles of Psychology, on the different social selves we have in the eyes of different groups.

A passage from the dress chapter of The Theory of the Leisure Class, on the cost of appearing respectable.

Rollo May on anonymity, mass media and the need to be seen, from Love and Will.

Excerpts from Seneca’s Letter 78 to Lucilius, on illness, friendship and the courage to keep living.

Friedrich August von Hayek on the limits of human knowledge and the difference between designing society and nurturing growth.

The story of a city where creating more opportunities can make everyday life harder.