Listening to Schumann, Fernand Khnopff, 1883; oil on canvas, Royal Museums of Fine Arts of Belgium. The painting names Schumann; Gilbert speaks of Chopin.
Listening to Schumann, Fernand Khnopff, 1883; oil on canvas, Royal Museums of Fine Arts of Belgium. The painting names Schumann; Gilbert speaks of Chopin.

A Past Created by Music

Grief for events that did not happen to us, the memory of a love we never had: Gilbert speaks in Oscar Wilde’s “The Critic as Artist.”

Gilbert (rising from the piano). I am not in a mood for talking to-night. I really am not. How horrid of you to smile! Where are the cigarettes? Thanks. How exquisite these single daffodils are! They seem to be made of amber and cool ivory. They are like Greek things of the best period. What was the story in the confessions of the remorseful Academician that made you laugh? Tell it to me.

After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own. Music always seems to me to produce that effect. It creates for one a past of which one has been ignorant, and fills one with a sense of sorrows that have been hidden from one’s tears.

I can fancy a man who had led a perfectly commonplace life, hearing by chance some curious piece of music, and suddenly discovering that his soul, without his being conscious of it, had passed through terrible experiences, and known fearful joys, or wild romantic loves, or great renunciations. And so tell me this story, Ernest. I want to be amused.

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