Orpheus, Odilon Redon, c. 1903–1910; pastel on brown paper, Cleveland Museum of Art
Orpheus, Odilon Redon, c. 1903–1910; pastel on brown paper, Cleveland Museum of Art

A Library of All Whispers

Babbage imagines the air as a library of past speech: a passage from his scientific and theological speculation of 1838.

But these aerial pulses, unseen by the keenest eye, unheard by the acutest ear, un-perceived by human senses, are yet demonstrated to exist by human reason; and, in some few and limited instances, by calling to our aid the most refined and comprehensive instrument of human thought, their courses are traced and their intensities are measured.

If man enjoyed a larger command over mathematical analysis, his knowledge of these motions would be more extensive; but a being possessed of unbounded knowledge of that science, could trace every the minutest consequence of that primary impulse. Such a being, however far exalted above our race, would still be immeasurably below even our conception of infinite intelligence.

But supposing the original conditions of each atom of the earth's atmosphere, as well as all the extraneous causes acting on it to be given, and supposing also the interference of no new causes, such a being would be able clearly to trace its future but inevitable path, and he would distinctly foresee and might absolutely predict for any, even the remotest period of time, the circumstances and future history of every particle of that atmosphere. Let us imagine a being, invested with such knowledge, to examine at a distant epoch the coincidence of the facts with those which his profound analysis had enabled him to predict.

If any the slightest deviation existed, he would immediately read in its existence the action of a new cause; and, through the aid of the same analysis, tracing this discordance back to its source, he would become aware of the time of its commencement, and the point of space at which it originated.

Thus considered, what a strange chaos is this wide atmosphere we breathe! Every atom, impressed with good and with ill, retains at once the motions which philosophers and sages have imparted to it, mixed and combined in ten thousand ways with all that is worthless and base. The air itself is one vast library, on whose pages are for ever written all that man has ever said or woman whispered.

There, in their mutable but unerring characters, mixed with the earliest, as well as with the latest sighs of mortality, stand for ever recorded, vows unredeemed, promises unfulfilled, perpetuating in the united movements of each particle, the testimony of man's changeful will.

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